They call it Seventh Heaven: an asylum of a prison roasting on the lowest ring of Hell. Run by a psychotic warden and his army of hockey-masked guards, it's a festering pit filled with thousands of hardened criminals... plus one very unfortunate Bandit King and his loyal, feathered sidekick!And as if THAT didn't suck enough for our heroes, toss in a magician who uses stolen dreams to trap his victims in bizarre worlds of illusion who then sets his beady eyes on Jing and Kir!

"Le septième ciel" became Raymond Bernard's last film; a black comedy about a female brewery owner who donates vast amounts of money to charitable causes. The funds to do this, she raises through her liaisons with wealthy gentlemen... who just "happen" to end up dead!

Before the release of the final 7th movie, a remix work "Kara no Kyoukai Remix-Gate of seventh heaven-" comes out in theaters on March 14, 2009. This remix collection extracts the key themes and scenes from first six movies. The hour long movie is organized in chronological order, beginning from the 2nd movie, followed by the 4th, 3rd, 1st, 5th and 6th. It's a mixture of mostly existing scenes, and some new scenes.

In the lawless land of Gando, fierce bandits will stop at nothing to fight for their precious homeland and loved ones — even if it means life or death.

“A burned-out group of Brno intellectuals decides to go to Kolochava in Ukraine to perform ‘A Ballad for a Bandit’ there.” With these words, the author's collective presents their film, in which they use primarily documentary imagery to compose a lyrical grotesque about an epochal trip, which might be their goal. But it doesn't have to be. The main tool of expression here is the film’s edit, which places various shots, statements, and meanings next to each other, often in a sort of productive conflict. Just like in a poem, the “poetic function” of art and its ability to serve as the primary tool for expressing beauty is manifested in full force before our very eyes.

Four female cons who have formed a band in prison get a chance to play at a police ball outside the walls. They take the chance to escape. Being on the run from the law they even make it to sell their music and become famous outlaws.

1981. USA. Directed by Joey Ahlbum. 16mm. 7 min.

Convicted felon Jimmy gets early parole after serving twelve years for armed robbery. Upon his release, he vows to give Annie, his childhood love, now dying from cancer, the best last year of her life – unfortunately it’s not that simple.

Cha Yeong learns that she was abandoned by her own mother two separate times. Cha Yeong's mother, who abandoned her daughter twice out of her own greed, decides to fight against her daughter for herself.

Bright and optimistic Korean Japanese teenager Hana lives at a small hot springs inn owned by her mother. When her mother decides to marry a Korean man, she tries her best to reach out to her odd, introverted stepbrother-to-be Yoon Seo, who likes to walk barefoot in the snow. He rebuffs her initial efforts, but her cheer eventually wins him over. With their parents on honeymoon, together Hana and Yoon Seo stand up to Hana's spiteful aunt Yoko and cousin Maya, and the two develop an increasingly close relationship over time. Yoon Seo is forward in his love for Hana, but despite feeling the same way, she is unwilling to break the taboo of a romance between step-siblings. After graduating from high school, she leaves for Tokyo with her admirer Fujiwara Ryu, and loses contact with Yoon Seo. 2 years later, Hana, Yoon Seo, and Maya meet again. Time has led them down very different roads, but the love and the rivalry remain the same.